When people talk about Foundation artists they might not be
the first names off of anyone’s tongue, but Skully Simms and Bunny Robinson are
just about as Foundation as you are ever likely to get having been the first
Jamaican artists to make home-grown R&B records for use in sound systems in
1953. Indeed Skully then went on to be one of the islands top percussionists performing in various bands from The
Aggrovators to The Upsetters
Formed in the 1990s especially for Pierre Marc Simonin’s
'Portraits of Jamaican Music' documentary and despite the loss of members
Justin Hinds and Johnny ‘Dizzy’ Moore over the past few years Skully Simms,
Bunny Robinson and Sparrow Martin are back with the Jamaica All Stars to bring
us a new album “The Vineyard Town Serssions” recorded in Kingston.
This album, as with 2004’s “Right Track”, takes listeners
back through the history of Jamaican music with slices of Mento, R&B, Ska,
Rocksready, Reggae and Dub.
Opener ‘All Rudies In Jail’ is a newly penned cut of classic
sounding Rocksteady groove, with Simms and Robinson singing anti-violence lyrics
that are just as relevant today as they would have been back in Rocksteady’s
heyday of 1967.
‘Bam Bam’ voiced by Robinson and ‘Hooligan’ with Martin on
the mic are the Mento cuts with the latter’s happy-go-lucky vibe disguising yet
more pertinent lyrics. Simms closes what is effectively a first part of the
album with ‘One Step @ A Time’ a bright slices of spiritual reggae with hints
of calypso. The other two cuts in this unofficial first part poetically tip a
hat to both deceased members of the All Stars, Hinds and Moore, with dub
versions of cuts that featured both on “Right Track”, ‘On The Last Day’ (On The
Last Dub) and their cover of the old Soul Vendors hit ‘Swing Easy’ (Swinging
Dub).
The second part of the album is live with R&B and ska the
order of the day on ‘Boogie Flew’, ‘Crying Over You’ and ‘Back To Zion’ which
was also on their live 2003 album of the same name. Its then back in to the
studio for ‘Sparrow's Rudy Piano’ a chirpy instrumental of the album opener to close
things off.
With a compartmental feel to this album, with it containing
both live and studio performances, it does give the feeling that this is more like
two E.P’s that have been bolted together to create an album as opposed to one conceptual
idea or project. That said the songs on both parts are lively and entertaining with
these vintage performers, proving that along with the help of other Alpha Boys
musicians, they can still write good music and by the sounds of the live
performances know how to party.
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